SOURCE
eContact! 8.2
Femmes en électroacoustique 3
Women in Electroacoustics 3
Editors – jef chippewa and Yves Gigon
Web Administration – Yves Gigon
Translation – Dominique Bassal
Hannah Bosma
Photo: Erna Rijsdijk
Editorial
Articles
- Hear Me Now: the implication and significance of the female composer’s voice as sound source in her electroacoustic music
by Elizabeth Hinkle-Turner
This study provides an illustration of the overlap of the musicological with the theoretical where the origin of the sound source is directly related to the composer’s history and environment. Includes an examination of the use of various musical and technological skills and practices to mold sound into an effective tool for controlling and co-opting the traditional western conception of gender. - Stop, Look and Listen
by Mary Simoni - Panel Discussion Report from the Feminist Theory & Music Conference 8 (New York, 23–26 June 2005)
- Gender and Computer Music: Tracing Change
Compiled by Mara Helmuth, edited by Elizabeth Hinkle-Turner
“[U]sing the Array [ICMA] newsletter exchanges on Gender and Computer Music as referential documents, [t]he panelists will trace the changes that have occurred in the field of computer music since 1993.” —SOURCE: FTM 8 abstract.
- Gender and Computer Music: Tracing Change
- In and Out of the Sound Studio: Conference on Gender and Sound Technologies (Montréal, 25–29 July 2005)
- Introduction — Andra McCartney, tr. Claire Piché (12:40/mp3)
- “A Distant Silence” — Owen Chapman & Andrea-Jane Cornell (2:23/mp3)
An audio work recorded, edited and diffused during the conference, with the voices of various conference speakers. - Création Radiophonique — Andrea-Jane Cornell (21:19/mp3)
An audio documentary featuring the words and work of Chantal Dumas. - Ballade Orale — Kathy Kennedy
Performed at the conference during a “hands-on” session. - Au delà du sexe et de la technologie : les tendances du genre
par Claire Piché
“Un peu frustrée devant la persistance des points nébuleux sur la notion du genre en rapport avec les technologies du son..., [Piché ébauche] un point de vue très personnel sur le sujet.” - Audio Credits and Photos of the Conference
- Feminist Theory (and electroacoustic music): Some classic sources for beginning and advanced inquirers in the field
compiled by Elizabeth Hinkle-Turner - The International Women’s Electroacoustic Listening Room (WEALR) Project
by Pamela Madsen
Reviews, Previews and New Releases
- Women Composers and Music Technology in the United States: Crossing the Line
by Elizabeth Hinkle-Turner (Ashgate Publishing) - Analytical Methods of Electroacoustic Music
by Mary Simoni (Routledge) - The International Alliance for Women in Music Congress 2006 (Miami FL, May 10–13, 2006)
by Kristine Burns, IAWM 2006 Congress Host - Kevin Austin reviews recent works added to SONUS.
De plus... / Related Items
- eContact! 3.3 Femmes en électroacoustique 2 / Women in Electroacoustics 2
- eContact! 1.1 Femmes en électroacoustique / Women in Electroacoustics
- Links - Femmes en électroacoustique / Women in Electroacoustics
- Works by some authors and/or artists in this issue can be heard in SONUS.ca:
La CEC tient à remercier pour leur soutien:
The CEC gratefully acknowledges the support of:
